Hollywood pawns are all "wax figures"/mannequins.
A butterfly being painted (like a statue/object) for the Midsummer Night's Dream.
At a later Midsummer Night's Dream party the mural had Hefner depicted as a wealthy Arab with his slaves in his harem (+ note pyramids, full moon) and below with his actual 'Girls Next Door' slaves from his Playboy mansion/harem.
One of Hefner's "trained animals", Holly (+ skull and bones, see below). Just below the painting of Hefner with his lions we see a female body black statue having been totally dismembered (loss of the self/personal identity in programming, gone into previously).
"What happens at the mansion, stays at the mansion..."
Mystery" (be very wary of anything that offers an "initiation into the mysteries" and things of that nature; Freemasonry and all of that shit is just programming as part of the "elite's" global manipulation structure, making it's members feel "enlightened" and superior to the 'common man')] cult involved putting it's cult members into drug-induced trances and other trance inducing methods, many of these methods are still used today in programming (as well as of course modern day clubs/raves [making generations of younger people quite dissociative; more suggestible and easier to control/manipulate]) in terms of in particular the animalistic/primal altered states used in the Dionysian cult (programming dehumanized alters; though these cults and their general programming methodology is far more organized today, the Dionysian Cult was controlled by the Athenian state it should be noted [attracting people disillusioned with mainstream society, like modern day mind control cults; what they end up in is a never-ending depersonalized/dehumanized life]). Hugh Hefner is depicted as "Puck" from Rosicrucian (the cult of Rosicrucianism is heavily involved in mind control; evidenced by their potential programming of Sirhan Sirhan [though of course the majority of AMORC members are not slaves/involved in MK, their cult, as many "religions" do involve trance-inducing methods which would have made Sirhan Sirhan more pliable to his programming, whoever ultimately did it]) Francis Bacon's A Midsummer Night's Dream, which the 'party' is named after. Though this depiction is not common for Puck in "the bard"'s play (his plays will not have solely been written by Bacon, but by a group of well-connected individuals wanting to shape the English language/program the masses through it's themes just like they do today through the far more invasive modern media; "William Shakespeare" was just a puppet actor [many of the claimed "facts" about the actor are untrue]), Hefner's image here is more akin to a Satyr: "The Satyrs were mythological creatures with the upper part of their body of a man and the lower half of a goat. The leader of the Satyrs was god Pan [arguably a Satyr/faun himself]. Usually the Satyrs resided in woods and mountains or were accompanying the Greek god of wine [wine in ancient times was not the same as today, it often included different herbs and entheogens and other such things] Dionysus on his journeys, dancing around joyfully with the Nymphs [entranced/dissociative/programmed kittens basically, see the linked Dionysus' Leopards/Goldfrapp post] and drinking. In mythology they are often associated with sex drive and vase-painters often portrayed them with perpetual erections. [see Chronicles of Narnia bit below for modern day pedophilic usage of this]"
Bridget Marquardt holding her skull and bones chalice at the 2008 Midsummer event (the girls/Nymphs/Maenads/kittens of today are kept in their ecstatic state through similar means [alcohol/a myriad of drugs ((many of them dissociative))/trance-inducing dances/repetitive beats/strobe lighting]).
Bridget (+Kendra) with 100% controlled slave Anna Nicole at a Midsummer Night's Dream party.
The exhibition included artwork, moving pictures of the film and such on screens and different types of ruby slippers in bubbles/spheres (floating away/dissociation) by the likes of fashion luminary footwear designers like Christian Louboutin (they already did this for one of last year's NY Fashion Weeks [click for additional context, "The Perfect Thing"]).
Daisy Duck was probably the main Disney character used to program her (a devoted 'girlfiend' to Donald [Hefner], despite his foul tempers and such [though she is portrayed as also getting 'mad' a lot]); all Disney programs/movies are loaded with triggers and are extremely useful in mind control (+ the themes and imagery used work wonders in social engineering/conditioning).
Daisy is nearly always naked from the waist down.
The chief difficulty Alice found at first was in managing her flamingo.
See this X-Files post for relevant details on the "daisy game".
The Playboy Mansion's bird cages (to go along with the "caged birds" inside the Mansion/gilded cage) and roaming flamingos, peacocks (multiple eyes) and other animals.
Holly as one of said peacocks below (+ Kendra as dominatrix/Bridget as a Parisian hooker) at a Halloween party at the mansion (note checkerboard floor).
Below image from a WW2 propaganda Disney film (about Nazi brainwashing/MK).
Hefner as Satan/Master, Holly as an angel.
As well as clear Illuminist symbolism (Freemasonic pyramid + illuminated eye in capstone above, Skull and Bones below) he also often wears slave symbolism with shackles/handcuffs and chains below (crucifix/martyr symbolism too of course).
Holly (pre-facial surgery [+ more 'transformation' work probably]) in a pink "sex and the kitty" showing the sex and the city, kitten programming aspect of it (under the guise of "female sexual liberation" of course). The car-wash theme implies she is providing a sexually suggestive "service" (i.e. sexual slavery).
More Kittens for the Serpent (phallus) to consume.
These official wallpapers for the film have butterfly imagery on them (to show the Monarch/transformation symbolism + sun symbolism/purple/etc).
And of course the "hilarious" 'Marilyn Monroe' invokation (see further down for relevant info on this), where she goes over a 'man-hole' and get's burned (very symbolic of how Marilyn and her various copies [in terms of programming]; you might want to be like Marilyn/Playboy kittens/etc, but you'll inevitably get burned once you've been used up!).
One of the two big lion sculptures at the Mansion.
Handcuffed to the bed at the Playboy Mansion (sexual slavery symbolic).
Hefner's "enchanting flute" (phallic symbolism should go without saying here [sexual dissociation]) taking his nymphs/kittens 'over the rainbow' into Oz (dissociation)
Back to some more relevant 'faun' analysis.
"In C. S. Lewis' classic, The Lion, the Witch and the Wardrobe, a faun named Mr Tumnus is the first creature Lucy meets in Narnia. He attempts to kidnap Lucy because she is a daughter of Eve (in other words, a human). After putting her under an enchantment with his flute, he is suddenly convinced of his great evil [kidnapping children for the White Witch (symbolic of Disney/Mickey Mouse, MM/WW; Wicked Witch in Wizard of Oz ((below image from the Oz 70th exhibition)) etc)] and has a change of heart." I'd like to elaborate on Disney's version of this scene, with some clear pedophilic suggestions which has been covered on other sites but it's worth going into again here to show what this 'faun' character is about.
Walt Disney ushering in the New Age under the Light of Lucy(fer).
Tumnus lures Lucy in (offering shelter from the cold/food) like a pedophile tempting a young child into the his home/van with candy or whatever (his intentions are as sinister as he plans on giving her to the White Witch to kill).
The faun/pan/satyr (there are slight differences but they're all pretty interchangeable in mythology/ritual), with Lucy successfully trapped inside his house gives her a drink (suggestion here is it is drugged to go along with the hypnotic/trance/sleep-inducing melody) and plays his double flute to put her out/'under' and take her to the witch.
She is slowly knocked out as Pan plays his hypnotic/enchanting flute.
But he has a change of heart at the last minute and decides not to take him to the symbolic establishment organized pedophile/sex-slave ring, the White Witch. Lucy is played by Georgie Henley, who I think it is safe to say will be getting a lot darker roles once they've finished milking the occult symbolically themed Chronicles of Narnia and as she gets older.
The White Witch Tilda Swinton scares the life out of me anyway (not really), perhaps her creepy look comes from the fact she is the product of one of the British "elite" historical (more than likely extremely inbred) families 'Clan Swinton'... that arm seems to be suspiouscly draped over Georgie's chest... Above with Georgie in purple and below in pink + a mermaid fin necklace (more on Georgie below Tilda info).
To go slightly off-track, this video for Orbital (interesting band, songs like 'Satan'/'Illuminate'/etc; their mother was "addicted" [kept on by husband; or she used to escape the kind of domestic abuse very common of that generation] to the hypnotic-sedative triazolam, this video is very telling about this MK drug the song was named after) 'The Box' shows what Tilda is more or less.
After sleeping in a glass box for eight hours a day, seven days a week as an exhibition piece at the Serpentine Gallery in 1995 [above], Oscar winner actress Tilda Swinton wants to repeat her feat.
“I still want to make that piece again. I was very ill for five months after it. And I do think it had something to do with the strain of endurance… of being looked at by 22,000 people over the course of a week,” she said.
She had expressed her desire to return to the glass box when she was pregnant with her 11-year-old twins, Xavier and Honor, however, she did not go for it, saying it could be a “little dicy,” reports The China Daily.
The Scottish actress also revealed her open relationship is “the best thing” for her children.
Tilda, who lives with her partner John Byrne and the twins, also has a romantic relationship with artist Sandro Kopp.
“It may seem odd but it is certainly the best thing for the children.
"Transformation is the only thing we really rely on." Video is Babelogue by Emma Reeves
In occult ritual drama Constantine she played the archangel Gabriel.
But back to little Lucy who the Faun originally manipulates with the sinister intention of giving her to Tilda Swinton (above as the White Witch).
Lucy with Liam Neeson as the Lion.
She seems to have a very "cuddly" relationship with Disney tween heart'throb' William Moseley.
Note Moseley's belt buckle below and that butterfly on Georgie's chest is very consciously used by Disney (in a number of promotional photoshoots for the first film, more below).
Note Disney went with a pink background to go along with the butterfly imagery on Georgie.
Below the poster is a porcelain tiger showing the butterfly/monarch programming cat/kitten dehumanization programming.
Boris Lermontov: "The Ballet of The Red Shoes" is from a fairy tale by Hans Andersen. It is the story of a young girl who is devoured with an ambition to attend a dance in a pair of Red Shoes. She gets the shoes and goes to the dance. For a time, all goes well and she is very happy. At the end of the evening she is tired and wants to go home, but the Red Shoes are not tired. In fact, the Red Shoes are never tired. They dance her out into the street, they dance her over the mountains and valleys, through fields and forests, through night and day. Time rushes by, love rushes by, life rushes by, but the Red Shoes go on.Julian Craster: What happens in the end?
Click your heels together three times and say, "There's no place like home!"
She has attended the Midsummer Night's Dream slave-orgy on a number of occasions in clothing showing what she is (a kitten).
Speaking of Playboy Mansion "parties" (Dionysian ritual slave-orgies), she attended a Halloween party at the mansion as Alice in Wonderland; looking extremely dissociative... truly she is 'In Wonderland' here [dissociation]. (posted images of this a while back in the 'Nobody Loves Alice' post)
She posed for Playboy in 1995, the photographer consciously focusing (instructing her to lift up her shirt to show it) on her butterfly tattoo (see Paris Hilton's at this post) for the cover, showing what Playboy is all about.
Below image from the same Playboy shoot.
Split Mind Kitty [standard split mind motif; featuring a cat showing the kitten programming in relation to Drew as a small child, trailer; at 00:33 Drew's reflection is over a child mannequin (capped below)]
"Help Me... It's after me."
In Poison Ivy, she plays a manipulative seductress (who kills a dog with a pipe near the start), a kitten symbolized at the very start with her swinging on a rope wearing a jacket with a 'sexy-woman on sabre tooth tiger' imagery on it.
Here's that Ellen Von Unwerth photo called "Two Kittens" I posted a while back, referring to the fact that Drew Barrymore is a Kitten.
In Batman Forever [Batman, the comics and movies are full of MK themes] she played one of Two-Face's two kittens (sugar & spice) as Sugar, the meaning of the butterfly brooch should be obvious by now.
Holly tells a girl she isn't pretty enough to join the sorority (described this at the end, out of order) and kills herself with a drugs/alcohol cocktail; then one year later it continues [would go into more detail but need to finish].
Rebekah Kochan (above) plays the main victim 'Lily' (flower of death etc) of this segment as she is psychologically traumatized and eventually murdered by the sentient doll (as is the girl below 'winding up' the doll).
Rebekah as a comedian "performing for the troops".
Lola Labelle is one of the skull an bones sorority girls also part of that USO tour
Freakshow portrays a group of friends who are plotting to work together to steal their rich traveling carnival owner's fortune. The thieves work as security in the carnival and the storyline centers around the "Freakshow Gallery".
Lucy [Rebekah], who belongs to the thieving group decides to attempt to take the fortune by herself. She seduces the Boss and marries him. The youngest member of the Freaks learns of the plan and is murdered by the thieves. After the murder is uncovered, they immediately plot revenge on the group. All of the group of thieves are murdered besides the woman, who swears her love to the carnival boss. So the freaks decide to make her a full member of their troop. They cut off her tongue, breasts, fingers and toes, then they skin her alive and wrap her up. The movie ends when she is displayed in the Freakshow Gallery as "The Worm Girl" [think she's the one inside the cage on the above poster]. This film is rated R for gore and nudity.
Lola Labelle is one of the skull an bones sorority girls (I think she's in the below picture on the right) also part of that USO tour using Rebekah (pictured above with Bridget and Holly + the band Tattooed Millionaires, one of these assholes in a double headed eagle t-shirt [loads of crappy rock bands like them given a platform by the ruling class, hence their symbolism and such]) to entertain the troops; one third of a burlesque group 'The Starlight Troupe' (she's third right).
Note the butterfly + daisies.
Entertaining the troops; a primary function for Monarch slaves throughout modern history (that White Cat I'm sure was positioned consciously showing her kitten programming).
Sara with the White Rabbit (programmer; victim follows him down the rabbit hole ['tumbling'; trauma/sexual abuse] into wonderland [dissociation]) of Playboy.
four she apparently saw her father's Playboy collection which made her "want" to be a Playboy model (probably a programmed false-memory through hypnosis), a 'Girl Next Door'. Her parents divorced, her mother remarried and they moved into her stepfather's isolated ranch. After her education (most programming takes place at a young age, "successfully" programmed Monarch Multiples have alters that can function fine in society), attending the University of the Pacific (same sororities as Holly's Portland Univesrity). She has always been married from a young age, probably her long-term handler who allowed her to be used by Hugh Hefner and other Hollywood types. She is currently dating Nicholas Carpenter (grandson of Hal Roach), whose mother was a (probable slave) Playboy bunny and his father a programmed astronaut for 'Project Mercury' Scott Carpenter [according to his imdb bio, like programmed Holly he also graduated from the Jesuits' Loyola Marymount University], seems like your stereotypical multigenerational Monarch slave family; he worked on things like Carnivalé and directed this film The Telling ("Segment Director", not sure if it means all three segments or just the one his masked slave Bridget is being used in, the most 'telling' segment).
Bridget, Holly and Kendra on the book accompanying the series. Popsicles are never pedophilic phallic suggestions of course. Holly and Kendra with their "popsicles" and Bridget playing the Daisy game (see further up for link to info on that).
Bridget with her black kitty-cat Gizmo [def: A mechanical device or part whose name is forgotten or unknown; a gadget. (Bridget is a programmed robotic kitten)], see 'A Witch's Kitty and Broomstick' post for MK stuff on the below image. The above drawing/painting (from the October 2006 issue of Playboy Magazine) has Bridget masked with her cat.
The Girls Next Door with their "canes" on a pink steps (pyramid).
One "humorous" way the Marquardt family's kitten dehumanization is shown on 'The Girls Next Door' in an episode with Bridget's half-sister Anastasia Case (Anastasia was a product of Bridget's time [where her mother ((hopefully anyway)) conceived Anastasia] at her stepfather's 'ranch') being transformed for the 'Midsummer Night's Dream. Anastasia means 'Resurrection', sticking with the theme of Monarch slaves as true modern day martyrs.
The episode 'hilariously' cuts quickly back and forth from Anastasia's grooming to Bridget's cat Gizmo's (with the obvious implication being these are two kittens having their fur removed).
The fully transformed kitten below, pre-kitten transformation above.
The Girls Next Door, Bridget and Holly in black/white duality stripes.
Bridget as Little Red Riding Hood (+ the severed head of the wolf) over the Mansion's checkerboard floored area.
Bridget as the ultimate symbol of American irony 'Lady Liberty'.
Bridget as Medusa at a Midsummer Night's Dream (above with Satan "Master" Hugh Hefner).
At last year's Playboy Halloween Party she showed up in an insane clown/ballerina (purple tutu) outfit.
Bridget with Hello Kitty + her ruby slippers/red shoes.
Bridget in a circus tent wearing her ruby heels.
Six Bobblehead Dolls.
The horse/carriage metaphor is another 'trained' animal (+ abuse, consant wipping), kept under control by the 'double headed eagle' manipulators; and of course the big mirror + spiral staircase.
I've embedded Cory in the House's theme sequence, note Cory's left hand holding a drumstick is suggestively positioned so giant phallus (Washington Monument) lands on his hand wrapped around the stick... I'm not saying anything.
Jason Dolley, the end of his guitar is consciously positioned in front of the posed President's daughter, the guitar is often used as a symbolic phallus (i.e. Prince at the Superbowl).
"Forgive Footcandle (dwarf), he is obsessed with light and shadow, shadow and light..." [paraphrased; but clear duality reference with shadow and light/light and shadow spoken]
The 'absinthe ritual' of adding sugar is reminiscent of pedophiles adding sugar (+flavor) to alcohol and giving it to children, for obvious effects on the child benefiting the pedophile. Same goes for things like LSD/dissociative hallucinogens and the like (though used in a far more organized/complex fashion in Monarch programming).
The Absinthe 'Green Fairy' (this is obviously part of the reason why Walter Disney chose to make Tinkerbell lime-green [the slutty fairy (("A symbol of the magic of Disney.")) will soon be getting her own Hollywood star this year]) is the ritual programming slave for this session. The Patternist makes some obviously very pertinent to the long-term themes of this blog in this post with some interesting observations.
Disney have released a "Remote Controlled Flying Fairy", turn it on and watch it shoot off it's green stick and fly in the sky under your control! [should be easy enough to pick apart that metaphor]
Paris at the Mansion as the 'Green Fairy' [Paris' little 'toto' is called Tinkerbell of course, I've posted on her 'Fairy' fragrance with her as a fairy and such at this post + her latest is 'Siren' (looking her dissociative self; probably post on that soon)].
The 'Abinsthe Fairy' is played by Christine Nguyen; a soft-core/bdsm porn 'actress', whose alter-names (in various porn films) are Jennifer Lema, Jennifer Lee and Jin Le. A few images to illustrate the usual programming below (depersonalization in "Super Ninja Bikini Babes"/"Super Ninja Doll", she is transformed into a doll, dehumanization with her 'Animal Instincts' soft porn shoot etc).
This director of photography for this 'dream sequence' was done by an 'Alan Smithy', obviously not the guy's real name as he/she is involved in programming (Alan Smithee is a name used in the industry by people wanting to remain anonymous).
You can make out the skull and bones symbolicaly positioned between the mirrored/"double-vision" programming scene.
Holly Madison the Green Fairy over the checkerboard floor.
Throat cut (obviously fake, but can be made to feel real to a suggestible/traumatized/drugged victim [actually think their throat is cut when the knife is clearly plastic]) is a highly symbolic/ritual method of dispatch (i.e. in Freemasonic first degree initiation oath).
"Dream" [Eli Jane's programming] ends.
A masked Diane Sullinger greets Bridget following her 'absinthe trip'/"dream" (Eli Jane's programming) and they proceed to tell her about "their" history (the inbred, "undead" [they're pretty much dead inside] ruling class, how they've 'got off' on causing and filming death throughout the history which they have consistently manipulated for their own sick ends).
"You look, amazing... Like a Dream within a Dream"
"Eva, did you know that once man invented a way to capture moving pictures, to capture.. life, what was the first thing that he did? He recorded death; executions, war, in a word.. horror."
"There is a small but devoted audience, we make our films for... people just like us. Beyond dead. [this 'undead' stuff should not be taken literally; the "elite" know that they are 'dead inside'/an inability to feel/completely lacking in empathy]"
"We've seen everything, everything horrific. We've collected images [essentially also snuff films using slaves; it is logical to assume that these sociopaths literally have libraries full of this kind of material] like others collect antiques. Nosferatu just won't do."
"Our audiences demand more and more from us [in these modern times when they can't get away with overt lynches/executions/sadistic torture killings/etc, which were of course common occurrences barely a century ago]. And this is where you come in Eva, you have never done a horror picture."...
Sex and Death. Their obsession is now our obsession (thanks to generations of TV programming).
..."That virginity is very appealing to us [sticks out lizard tongue/like a hungry dog; virgins are their currency... not virgins of horror films of course!]"
"Satan" is just a mask for 'evil' (this mask is symbolically kept in frame for some shots).
This psychological trauma (programming) is symbolized in usual fashion as it freezes with half of Bridget's face in shot [split mind/dissociation (see it on one of American McGee's Alice game cover also + Cheshire Cat quotes from the game to round off the post)], resulting in her below tranced state (very telling of Bridget's reality).
So that's the end of Bridget's ritual programming story; the final story has less imagery worth posting so I will not post screen captures on it.
fire through a (inverted?) triquetra looking symbol (666 + Hohberg [note double headed eagle coat of arms for the district in Germany it is located in ((most of the "elite" cult families running the show come from these areas in Europe; hence why their symbolism is all over this stuff, they're just inbred gangs obsessed with manipulation and control, who can't help but plaster their 'gang-signs' all over the media that they control))]. [Not sure if I have the energy to read through this post again to look for errors/grammar; please let me know if there are any major ones and I'll alter it. Also this post progressed very slowly, I'm taking a days break before coming back with some quicker posts.]
Off with their heads!
To the royal guards of this realm, we are all victims-in-waiting.
The uninformed must improve their deficit or die.